{"id":149,"date":"2012-12-17T14:22:12","date_gmt":"2012-12-17T14:22:12","guid":{"rendered":"http:\/\/ggkarman.de\/benvingutmrgerhard\/?page_id=149"},"modified":"2013-01-07T04:03:17","modified_gmt":"2013-01-07T04:03:17","slug":"claustrophilia","status":"publish","type":"page","link":"https:\/\/ggkarman.de\/benvingutmrgerhard\/program\/claustrophilia\/","title":{"rendered":"Claustrophilia (a page for John Cage)"},"content":{"rendered":"
\"\"<\/a>

Short-wave radio operators performing Claustrophilia: Roger Vil\u00e0, National NC 183 (1946); Gemma Rodr\u00edguez, RCA ACR 111 (1934); Juan Jurado, Hallicrafters SX 62 (1955); Oliver Vinent, Grundig Satellite 2000 (ca. 1970); (Short-wave receivers from the collection of Jaume Figueras)<\/p><\/div>\n

El juego de palabras que escoge\u00a0Gerhard para dar t\u00edtulo a\u00a0esta p\u00e1gina \u2013 \u00a0ejercitando sin duda alguna, creo yo, ese\u00a0ingenio y sentido del humor tan gerhardianos \u2013 puede interpretarse como\u00a0una expresi\u00f3n de afecto por Cage pero tambi\u00e9n como una reivindicaci\u00f3n de su propia visi\u00f3n m\u00e1s sobria del oficio (claustro-philia). Gerhard conoci\u00f3 al americano, \u201cun diestro polemista que sab\u00eda escurrirse como una anguila al verse arrinconado en una disputa,\u201d en verano de 1961, con motivo del viaje que realiz\u00f3 como docente invitado a los cursos del Berkshire Music Centre de Tanglewood, Massachusetts. Un lustro m\u00e1s tarde Cage pidi\u00f3 a Gerhard una p\u00e1gina para la colecci\u00f3n de partituras\u00a0que estaba reuniendo para una exposici\u00f3n, proyecto que tuvo como resultado la publicaci\u00f3n de\u00a0Notations<\/a>\u00a0(Something Else Press, 1969).<\/p>\n

Y as\u00ed fue como a Gerhard se le ocurri\u00f3 la partitura de Claustrophilia<\/em>, una p\u00e1gina dedicada a Cage que describe minuciosamente los detalles de una acci\u00f3n musical para ocho arpas, cuatro receptores de onda corta y dos monitores encargados de supervisar el dispositivo electroac\u00fastico (controlando desde el auditorio el sonido de las cuatro radios, que se encuentran entre bastidores).\u00a0El 22 de Diciembre de 1966 Gerhard envi\u00f3 a Nueva York la partitura de Claustrophilia<\/em>\u00a0en el env\u00e9s de una hoja de su \u201cConcierto para Orquesta\u201d junto a la siguiente carta:<\/p>\n

Dear John Cage,<\/p>\n

This out-size Christmas Card wont reach you in time as I promised, I\u2019m afraid; nonetheless, my very best wishes to you for the New Year go with it. I wish you\u2019d perform it! I\u2019m certain with you and David Tudor as Monitors you\u2019d make a stunning composition of it! [\u2026]<\/em><\/p>\n

R.G.<\/p><\/blockquote>\n

La „partitura“ comienza dando instrucciones acerca de la disposici\u00f3n de las arpas\u00a0sobre el escenario y describiendo el arranque de la acci\u00f3n musical:<\/p>\n

\"\"<\/a><\/p>\n

„A. 8 Harps (or as many multiples of 4 as available) forming a diamond-shaped quadrilateral at the center of the platform. Each player may play any solo piece, study (exercise) chamber- and \/ or orchestral-part he likes \u2014 rest bars and all \u2014 passing from the one to the other at will. It is desirable that no two players would have duplicating material. The performance should start in silence and concentration, unbroken until some player feels impelled to strike a first round. Others may follow in the same manner, in their own time, with their own choice of piece. No one should try to co-ordinate by tuning, by motion or loudness, but simply join\u2026“<\/p><\/blockquote>\n

Nosotros hemos querido imaginar esta p\u00e1gina\u00a0celebrando el esp\u00edritu\u00a0del centenario del nacimiento de John Cage, y con la firme decisi\u00f3n de disfrutar y de hacer posible la diablura de Gerhard en este concierto.<\/p>\n

GGK<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

El juego de palabras que escoge\u00a0Gerhard para dar t\u00edtulo a\u00a0esta p\u00e1gina \u2013 \u00a0ejercitando sin duda alguna, creo yo, ese\u00a0ingenio y sentido del humor tan gerhardianos \u2013 puede interpretarse como\u00a0una expresi\u00f3n de afecto por Cage pero tambi\u00e9n como una reivindicaci\u00f3n de … Weiterlesen →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":51,"menu_order":5,"comment_status":"open","ping_status":"closed","template":"sidebar-page.php","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"spay_email":""},"jetpack_shortlink":"https:\/\/wp.me\/P3NRhz-2p","jetpack_sharing_enabled":true,"jetpack_likes_enabled":false,"jetpack-related-posts":[{"id":230,"url":"https:\/\/ggkarman.de\/benvingutmrgerhard\/","url_meta":{"origin":149,"position":0},"title":"A Tribute to Roberto Gerhard","date":"22\/12\/2012","format":false,"excerpt":"This blog entry commemorates the concert dedicated to the Anglo-Catalan composer Roberto Gerhard (1896\u20131970)\u00a0that took place in the Auditori of the Conservatori del Liceu in Barcelona the 26th of April 2012. The soir\u00e9e was part of the activities of the II International Conference Roberto Gerhard and the Spring Festival of\u2026","rel":"","context":"Mit 1 Kommentar","img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":125,"url":"https:\/\/ggkarman.de\/benvingutmrgerhard\/program\/lament-for-the-death-of-a-bullfighter\/","url_meta":{"origin":149,"position":1},"title":"Lament for the Death of a Bullfighter","date":"17\/12\/2012","format":false,"excerpt":"Lament for the Death of a Bullfighter (1959)\u00a0es una composici\u00f3n radiof\u00f3nica sobre el poema\u00a0Llanto por la muerte de Ignacio S\u00e1nchez Mej\u00edas\u00a0de Federico Garc\u00eda Lorca. La cinta fue realizada en el estudio dom\u00e9stico que Roberto Gerhard hab\u00eda instalado un a\u00f1o antes en su casa de Madingley Road en Cambridge, y ensamblada\u2026","rel":"","context":"\u00c4hnlicher Beitrag","img":{"alt_text":"","src":"https:\/\/i1.wp.com\/ggkarman.de\/benvingutmrgerhard\/wp-content\/uploads\/2012\/12\/IMG_6929-200x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":129,"url":"https:\/\/ggkarman.de\/benvingutmrgerhard\/program\/dna-in-reflection\/","url_meta":{"origin":149,"position":2},"title":"DNA in Reflection","date":"17\/12\/2012","format":false,"excerpt":"DNA in Reflection\u00a0(1963) es un film experimental de Hans Boye y Anand Sarabhai, dos j\u00f3venes investigadores que se conocieron en el Laboratorio de Biolog\u00eda Molecular de la Universidad de Cambridge a principios de los a\u00f1os 60. La pel\u00edcula muestra las im\u00e1genes del modelo de la doble h\u00e9lice de ADN de\u2026","rel":"","context":"\u00c4hnlicher Beitrag","img":{"alt_text":"","src":"https:\/\/i2.wp.com\/ggkarman.de\/benvingutmrgerhard\/wp-content\/uploads\/2012\/12\/Screen-shot-2012-12-18-at-12.42.49-1024x772.png?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":326,"url":"https:\/\/ggkarman.de\/benvingutmrgerhard\/links\/","url_meta":{"origin":149,"position":3},"title":"Links","date":"23\/12\/2012","format":false,"excerpt":"RELATED SITES www.robertogerhard.com\u00a0\u2014 Official site of the Roberto Gerhard\u00a0Conference CeReNeM\u00a0\u2014 Centre for Research in New Music, University of Huddersfield Conservatori Superior de M\u00fasica del Liceu\u00a0\u2014 Where the concert took place PROJECT PARTNERS Ajuntament de Barcelona Arts & Humanities Research Council Biblioteca de Catalunya Catalunya M\u00fasica Can R\u00e0fols dels Caus Centre\u2026","rel":"","context":"\u00c4hnlicher Beitrag","img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":338,"url":"https:\/\/ggkarman.de\/benvingutmrgerhard\/credits\/","url_meta":{"origin":149,"position":4},"title":"Credits","date":"23\/12\/2012","format":false,"excerpt":"II INTERNATIONAL ROBERTO GERHARD CONFERENCE University of Huddersfield. School of Music, Humanities and Media (coordinaci\u00f3n y producci\u00f3n) Director: Michael Russ Coordinador CeReNeM: Monty Adkins Coordinadores del congreso: Carlos Duque, Gregorio Garc\u00eda Karman y\u00a0Trevor Walshaw Conservatorio Superior de M\u00fasica del Liceu (sede principal del congreso) Directora: Mar\u00eda Serrat i Mart\u00edn Coordinaci\u00f3n:\u2026","rel":"","context":"\u00c4hnlicher Beitrag","img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":500,"url":"https:\/\/ggkarman.de\/benvingutmrgerhard\/contact\/","url_meta":{"origin":149,"position":5},"title":"Contact","date":"26\/12\/2012","format":false,"excerpt":"I am \u00a0happy to learn more about other people's interest in Gerhard.","rel":"","context":"\u00c4hnlicher Beitrag","img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"https:\/\/ggkarman.de\/benvingutmrgerhard\/wp-json\/wp\/v2\/pages\/149"}],"collection":[{"href":"https:\/\/ggkarman.de\/benvingutmrgerhard\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ggkarman.de\/benvingutmrgerhard\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ggkarman.de\/benvingutmrgerhard\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ggkarman.de\/benvingutmrgerhard\/wp-json\/wp\/v2\/comments?post=149"}],"version-history":[{"count":125,"href":"https:\/\/ggkarman.de\/benvingutmrgerhard\/wp-json\/wp\/v2\/pages\/149\/revisions"}],"predecessor-version":[{"id":822,"href":"https:\/\/ggkarman.de\/benvingutmrgerhard\/wp-json\/wp\/v2\/pages\/149\/revisions\/822"}],"up":[{"embeddable":true,"href":"https:\/\/ggkarman.de\/benvingutmrgerhard\/wp-json\/wp\/v2\/pages\/51"}],"wp:attachment":[{"href":"https:\/\/ggkarman.de\/benvingutmrgerhard\/wp-json\/wp\/v2\/media?parent=149"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}