Tres canciones catalanas (ca. 1930), for voice and piano: Laia Cladellas, voice; Gonzalo Redondo, piano
Madrigal a Sitges
Ventall
La Fulla i el Núvol
Capriccio (1949), for solo flute: M. Margalida Seguí Tugores, flute
Lament for the Death of a Bullfighter [1] (1959), for speaker and magnetic tape: Mónica Muñoz, voice; Gregorio García Karman, concert setting & sound projection
DNA in Reflection [2] (1963), film
Claustrophilia, a page for John Cage [3] (1966), for eight harps, four short-wave radios, and two monitors:
Abigail Prat, Emelyne Lobel, Júlia Muntaner, Anna Quiroga, Marta Montguillot, Maria Esclusa, Andrea Mantes, Maria Gibert, Anna Godoy, harps
Juan Jurado, Hallicrafters SX 62 (1955); Gemma Rodríguez, RCA ACR 111 (1934); Roger Vilà, National NC 183 (1946); Oliver Vinent, Grundig Satellite 2000 (ca. 1970); (Short-wave receivers from the collection of Jaume Figueras)
Benjamin Davies, monitor I; Gregorio García Karman, monitor II
[1] First performance of the concert setting.
[2] Spanish premiere.
[3] World premiere.
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